Selma Blair is simply adorable! And here to prove it is yet another wonderful interview for your ready pleasure. This time she sat down with The Observer.
‘I could be living in a castle right now, with Tom Cruise’
Selma Blair’s own Hollywood story was one of missed chances and unhappy endings. But with two challenging new roles and a young family, she’s finally found peace. She’s even Charlie Sheen’s therapist…
Selma Blair and Jordan Gelber in Dark Horse
“I go from being hugely hopeful and entertaining to… really not. I can go to the darker side”: Selma Blair with Jordan Gelber in Todd Solondz’s Dark Horse. Photograph: c.Everett Collection/Rex Features
If we believe everything we see on screen, it has taken the last 15 years for Selma Blair to grow from her late teens to her early 20s. So long has she been playing the gullible ingénue, the hesitant high-school student, in films such as Cruel Intentions and Legally Blonde, it is as if time has stood still.
In reality the Hollywood actor is turning 40. When we meet, in the genteel gardens of the Chateau Marmont in Los Angeles, she is celebrating her birthday in two weeks. She could still pass for 25 in a pair of crisp white shorts and natty brogues, and she says she wears “white now more than ever – it’s my favourite. I would just wear napkins. That’s how confident I am.”
She says this with only a hint of sarcasm – but Blair is not completely assured. At one point, tucking into her bloody burger, she says that since a difficult birth 10 months ago she feels compelled to eat “whatever food is comfort”. And she admits her career over the past 10 years has not been a charmed one. “I went through a period of pulling away from everything – acting, people – not sure if I would ever have a voice in this business,” she says.
You get the feeling a lot has to do with being typecast decades beneath her age. “I played teen roles until high definition came out,” Blair half-jokes (I later realise this is true), “and I could never understand it. I would go in for adult roles and be older than many of the people auditioning, but they’d cast the girl without a line on her face.” She shrugs. “I suppose I might have seemed too troubled or cynical to play a mother. The closest I’d get was an adult who was emotionally unstable or drug-addled, which is about 17 years old emotionally anyway.”
She talks about the fact that her CV comprises two extremes: “very light” teen romances such as The Sweetest Thing (“where I sort of do Technicolor, almost theatrical”) and “very dark” roles (the Hellboy trilogy). Her latest project, the aptly named Dark Horse, directed by Todd Solondz, falls into the latter category. In it Blair plays the highly medicated Miranda, who meets a troubled thirty-something (Jordan Gelber) at a wedding, but the dysfunctional pair is denied any sort of predictable trajectory. The appeal was reuniting with Solondz, who directed Blair in 2001’s Storytelling. “He’s such a remarkable, sensitive director, but it was understood that I would not be in another film of his because he only really works with people once.” He decided differently when Blair had dinner with him – “we were talking about my career and he gave me hope. And you know, he has helped change my outlook. I feel totally committed to having a wonderful career again.”
She explains how the film lifted her out of a “black hole” that was as personal as professional after she got a divorce from her husband of two years, Ahmet Zappa – son of Frank – in 2006. “It felt like failure, as if I hadn’t thought things through. And I honestly didn’t try very hard to make it work,” she confesses. Getting Dark Horse was “a real shot in the arm. I did this TV show, Kath & Kim [with Molly Shannon], and I felt badly about it. I was overeating to play this character and I think I lost sight of a lot of things.”
Falling pregnant with her son Arthur during filming (with her now partner fashion designer Jason Bleick) also “kickstarted something. It was like I had a baby and I suddenly started to feel I could play anything. Just as my CV has ‘light’ and ‘dark’ sides, I suppose there are two sides to my own character,” she adds. “I go from being hugely hopeful and entertaining to… really not. I’m not manic depressive, but I can really go to the darker side.”
Blair’s other new project, the hotly anticipated TV series Anger Management, based on the Jack Nicholson film, is perhaps her most high-profile to date, not least because it marks her co-star Charlie Sheen’s comeback after a very public unravelling. She laughs at the irony of playing Sheen’s therapist in the show, which debuts in the US this week. “He had a huge moment last year, but I do think he’s a great actor,” she says. “And he’s very present in this – he’s been incredibly on it. He’s kind and affable and loyal to the people in his life. But you know, I don’t think we’ll ever know about the stresses someone is under that would make them speak out so loudly.”
In light of this, she views her own level of fame rather gratefully. “Perhaps I have managed some sort of longevity because I haven’t won the lead roles,” she says. “I don’t have the pressure of being a world-famous bombshell that has detonated.” We joke about how things could have been different if she had not suffered early rejections, such as not getting the lead in Buffy the Vampire Slayer [it went to her Cruel Intentions co-star Sarah Michelle Gellar] or Joey Potter in Dawson’s Creek. “There was me, Katie Holmes and Marla Sokoloff up for it,” Blair explains, “and Katie got it, which was absolutely right – she was perfection. But I could be living in a castle right now, with Tom Cruise as my husband.” Would she like that? “I would, because I have such a crush on him! Not as big a crush as I have on Bill Nighy. But I wish someone would jump on a couch for me…”
Blair’s career choice was perhaps surprising to her single Jewish mother, a magistrate who was, she says, not very maternal: “She scheduled C-sections to have each of her four daughters at 8.45am on a Friday morning and was literally back at work on Monday morning. But since becoming a mum myself I’ve begun to appreciate that more.” Blair is the youngest of the four and grew up in suburban Detroit. After getting a degree in English, psychology and photography at the University of Michigan she relocated to New York to become a “photographer or actress, whatever hit first”. Was her mother supportive? “She helped me pack my bag, although there wasn’t really any financial support [Blair lived with the Salvation Army]. But I think she did believe I could do it.”
Blair was spotted by an agent while taking acting classes at the Column Theatre. A small part in the 1997 film In and Out followed. “I had to audition six times for it, and I ended up with two lines that were cut,” Blair remembers, laughing, “but I got to spend six weeks in the Catskills with Kevin Kline and Joan Cusack, who is my favourite. I felt like an actress.”
Now, she says, “you have to do it all to make a living, unless you’re Cate Blanchett. You have to write five books and come out with a line of socks. I got approached to do a reality show not so long ago.” And? “I decided I’m too much reality for anyone. I don’t have the gaggle of goofy friends, and you have to do a lot of branding.”
Besides, she is entering a new era now. “I am hopeful again. I want a good life and a great career more than I ever have. I don’t know that I actually believed I deserved one until now.”
Dark Horse is on release from 29 June